The VitalScience

Biology and the LiteraryImagination,1860-1900

(originally published 1984;copyright Peter Morton)


The argument of this book isthat in late Victorian England a group of novelists and essayists quiteconsciously sought and found ideas in post-Darwinian biology that werepeculiarly susceptible to imaginative transformation. The period 1860-1900was a time of great confusion in biology; the natural selection hypothesiswas in retreat before its acute critics, and no extension of evolutionarytheory to human affairs was too bizarre to attract its quota of enthusiasts.Writers capitalised on this prevailing uncertainty and used it to theirown artistic or polemic ends.

The core of The Vital Science is fourinterlocking chapters which examine certain ideas emerging from the newbiology which particularly appealed to literary minds: evolutionism - thephilosophy that organic adaptation is progressive in a human sense; degeneration- the belief that parasitism and retrogression are as applicable in thehuman sphere as in accounts of the extinction of species; eugenics - progresscan be assured by aping nature's methods; and theories of heredity - readvariously as encouraging or denying attempts to escape one's genetic destiny.Such ideas were used by many novelists, belles lettristes and journaliststo warn, abuse, encourage or inspire, and the discussion ranges widelyfrom minor utopian fiction to major novels by H.G. Wells, Samuel Butlerand Thomas Hardy. The Vital Science is designed to interest historiansand readers who will enjoy approaching the Victorian era from an unfamiliarangle as well as historians of biological theory between The Originof Species and Mendel.

Parts of the book have been anthologised intextbooks and along with Gillian Beer's Darwin's plots it has becomea standard text in its field.  


Acknowledgements

Introduction: Definitionsand Perspectives

Darwin's Literary Impact: The Dominant View

Final Definitions and Limitations

Notes

1 Darwinism on the Deathbed, 1870-1900: The Failings of Natural Selection

Darwinism in Decay, 1870-1900

Anti-Darwinian Thought Concluded

Notes

2 Victorian Biology and VictorianLetters: An Overview

Biology and Letters: Some Specific Linkages

Notes

3 Better, Wiser, and MoreBeautiful Beings: The Cheerful Doctrine of Evolutionism

Evolutionism as Credo: Spencer, Reade and Drummond

W.H. Hudson and A Crystal Age

The Cost of Evolutionary Perfection

Notes

4 Laying the Ghost of theBrute: The Fear of Degeneration

The Victorians' Parochial Future

The Darwinists and Degeneration

Is Degeneration Really Perfection?

Degeneration and the Utopia

The Biological Vision of H.G. Wells

The Time Machine: Social or Biological Allegory?

The Time Machine and the Garden Metaphor

Wells's Controlled 'Inductive Future'

Notes

5 Remember, Beethoven's FatherWas a Drunkard: The Dubious Appeal of Eugenics

Late-Victorian Eugenics: An Overview

Literature and Galtonian Eugenics

Reformist Eugenics: Wallace and Grant Allen

Eugenics and Prevailing Theories of Inheritance

Notes

6 Nemesis without Her Mask:Heredity before Mendel

Butler on Heredity

Butlerism and Mainstream Biology Weismann and the GermPlasm

Notes

7 This Body Is an Omnibus: TheMotif of Heredity in The Way of All Flesh and Tess of the d'Urbervilles

Butler's Roles as Biological Theorist and Novelist Compared

The Way of All Flesh as a Lamarckian Novel of Inheritance

Butler and Heredity Summarised

Tess and the Darwinian Motif

Hardy, Tess and August Weismann

Notes

Conclusion

       Notes

Darwinism and Literature: a Bibliography


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