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 What is Performing Art?

Reference : Green, L., The return of the Body: Performance Art and Art Education. Art Education, January 1999.

Performing art is described by art historian Goldberg in Green (1999), as "live art by artists" (1988, p. 7). It blurs the line between art and life by including everyday actions such as brushing one's teeth, chopping vegetables or watching tv as possible metaphors to express emotions, such as boredom. Combining artmaking with everyday activities is particularly appealing to students as it demonstrates life's aesthetic dimensions, and encourages students to explore these realms at some stage.

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Research

Research carried out by the Primary School Drama Association (Sydney), has found that Creative Drama activities, despite their versatility, have one thing in common. "A clear concern for the individuals life of feelings and emotions".

A three year project undertaken by the London University, completed in 1994, found:

"The essential recurring feature is involvement ,projecting into imagined or assumed roles and situations, some of which stop at the stereotype, others move closer to a deeper understanding".

Research of the presence of drama in primary classrooms, both in Australia and England (see resources for reference) reveals that since, notably the 1970''s , drama as part of the school curriculum has increased.

Drama, traditionally was the study of plays and literature. Research suggests that societies shift in the way children are viewed: i.e from "Children should be seen and not heard"( A typical Victorian era attitude), to "Children require opportunity for active particiption in the construction of meaning" ( Current educational standpoint, SACSA).

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RESEARCH IN RELATION TO DRAMA INTEGRATION IN THE CURRICULUM.

Research done by the London University in 1992, clearly illustrates that in the educational field, many teachers think that drama should be unstructured, enabling students to work in any way they want to. Other teachers feel that the process should be linked with the exploration of a theme , topic or issue, but that once a broad structure is given students should be allowed to develop along their own line of enquiry.

Guidelines for Interdisciplinary Art Education:

Adapted from : Green, L., The return of the Body: Performance Art and Art Education. Art Education, January 1999.

1. It should emphasise art's unique perspective, and not become a handmaiden for other subjects. Art can even be the center of the curriculum, with other disciplines drawing into it.

2. It should be concerned with important social and personal issues, with the student, their friends, family and community, and topics that are relevant to them.

3. Art should be organised around important themes.

4. Art study should encourage collaboration and development of communication and social skills among students. As such group work and hands-on work can be used extensively.